It is a somewhat romantic idea to some radiobuffs out there to be in International waters and playing the music you want to play the music you love just off the coast in international waters a ship that has been transformed literally into a floating studio and radio station. But this romantic notion served more then just that idea. It literally brought Pop Music over the airwaves at the time to much of Western Europe. People in Great Britian in the early 60's couldn't hear much pop music over the National radio outlet of the BBC. Only one hour a week was dedicated to the Pop music scene at the time. Many listener's in Great Britain to get there fix of the latest releases in Pop Music had to tune in the AM and Longwave bands to try to pick up Radio Luxembourg a station almost dedicated entirely to Pop Music in the 1960's. But due to the distance the signal was almost always not the best for music reception. In the early 60's Commercial radio was also non existant in Great Britain. Offshore radio to survive would also have to go commercial as well, and they did. Great Britain in the mid 60's had several offshore stations operating ... the two most notable probably being Radio Caroline and Radio London -- 'The Big L'.
It wasn't just the United Kingdom that was getting into Pirate Offshore Broadcasting. Matter of fact Radio Veronica an offshore pirate radio ship started as early as 1960 off the coast of the Netherlands. And had a listening audience that covered not only The Netherlands but also Belgium and Great Britain on the other side of the channel. Ireland, Scotland, Denmark and many other nations have had there offshore pirate stations as well, each with just as much of a colorful history of broadcasting.
Dedicated to those few pioneers who turned radio around in the UK. First transmitted April - 2005.
More on Pirate Radio verses B.B.C
The BBC had a monopoly on radio broadcasting in Britain, and pop music fans were poorly served by it. There was a limit to the amount of records they could play, and although groups came in and played sessions for Saturday Club and Easy Beat - about the only two pop shows on the radio - it still meant pop music received little exposure. But that changed when Radio Luxembourg began broadcasting, without any similar restrictions, and the world turned upside down with the advent of the pirate radio stations in 1964.
Radio Luxembourg
Based in Luxembourg and broadcasting to the U.K, Radio Luxembourg was, in many ways, illegal. But based abroad there was no way to prosecute, much to the joy of teenagers who could tune in every evening and listen to a procession of records, interspersed with ads (making it the first commercial station heard in the country). English DJs flew in to work, making it seem local and friendly. It was so big that there was even a music magazine, Fabulous 208, brought out by the station.
Radio Caroline
Offshore pirate radio didn't begin in 1964. It had started in Scandinavia in 1958, then was copied in Holland in 1961. Outside national waters it was completely legal to broadcast under a loophole in the laws. Radio Caroline took to the air in 1964, the brainchild of Ronan O'Reilly, who had been a record plugger. This, though, gave him opportunities on a much larger scale.
It sold ads, and played 24 hour music, making it a revolution of sound for teenagers. It helped break several new artists, and gave airplay to many artists who'd never have been heard on the BBC. The disc jockeys, who'd spend a fortnight at a time on the vessel, became minor celebrities, feted by teens.
But Radio Caroline, and those that followed, roused the ire of the government. There had been questions in Parliament, and the wheels began grinding slowly to rid the seas of the pirates.
Radio London
Where Radio Caroline caught the East and North, Radio London broadcast to the Southeast, anchored a few miles off Southend. Bankrolled by a Texan, Don Pierson, it quickly attracted the name "Wonderful Radio London," making money for Pierson and serving music lovers.
The Others
Radio City and Radio Invicta soon joined Radio London, whilst Radio Atlanta was just up the coast. Others joined them, old vessels fitted out with basic radio equipment and young disc jockeys who didn't mind braving the primitive conditions. For a while it looked as if the entire coast might be ringed with pirate stations, which had proved more popular with the young than the stodgy and out of date BBC Light Programme.
The End Of The Pirates
It was too good to last. The simple fact was that it couldn't be allowed to last - it was draining too much of the BBC's audience, and the pirates were making too much money. It took until 1967, but finally the government passed a law that closed the loophole allowing the pirates to operate, and on August 15, the pirates were put out of business.
Just a few weeks later, Radio 1 began, BBC's attempt to replace them, using talent that had operated on the open seas. The pirates had changed British broadcasting, opening the doors to more pop music, and forcing the BBC to finally consider the huge teen market for music.
